The WhatsOnStage podcast has focussed on the RSC’s new production of Dracula in London, featuring Cynthia Erivo’s return to the stage and raising questions about the show’s extensive use of technology. The discussion also touched on the announcement of a new Game of Thrones stage play.

The Royal Shakespeare Company’s production of Dracula has opened in London, marking a significant return for Cynthia Erivo to the stage. The WhatsOnStage podcast hosted by chief critic Sarah Crompton and editor-in-chief Alex Wood explored the new interpretation of Bram Stoker’s classic vampire tale, which incorporates heavy technological elements.

Crompton and Wood debated whether the production’s use of extensive bells and whistles helped or hindered the storytelling, discussing the impact of the tech-heavy approach on the overall effectiveness of the play. Their conversation reflected contrasting views on the modern staging of such a well-known gothic narrative.

The podcast episode also covered other significant theatre news, including the announcement of Game of Thrones: The Mad King, a new play set in the Westeros universe. Crompton and Wood broke down what this means for fans of the series and the theatrical adaptation of fantasy literature.

WhatsOnStage’s weekly podcast offers news, commentary, and frank discussions about current and upcoming theatre productions. It covers a wide range of topics across stage, film, and television with a tone aimed at providing an unmissable guide to the performing arts landscape.

Listeners can access the podcast for free on various streaming platforms, including Spotify, Apple Podcasts, and Audible. The hosts encourage subscribing to stay updated on all theatrical developments and reviews.

This discussion points to a broader trend in theatre productions experimenting with technology to reimagine classic stories, while also highlighting ongoing interest in high-profile fantasy adaptations on stage.